If you visited the London Natural History Museum sometime before 2015 you will have been greeted by the skeleton of a sauropod dinosaur: a plaster cast of Diplodocus affectionately nicknamed Dippy (see also Dippy: The Tale of a Museum Icon). Dippy has left the building but is not the only such cast in existence. Historian Ilja Nieuwland here traces the little-known history of the philanthropic campaign that saw Scottish-born business magnate Andrew Carnegie donate plaster casts to museums around the world. Drawing on a wealth of archival material, he examines Carnegie’s reasons and the response of the recipients and the general audience, adding a valuable and surprisingly interesting chapter to the history of palaeontology as a discipline.
Reptiles are an incredibly diverse animal group with a long and complex evolutionary history, conquering land, skies, and seas multiple times. Continued discoveries of both living reptiles and fossil material are adding more details and layers to the story of their evolution. A review of how they all relate to each other has been long overdue, and geologist and curator of Vertebrate Paleontology Hans-Dieter Sues here takes on that challenge. The resulting The Rise of Reptiles is a technical and heavily illustrated reference work for the serious zoologist and palaeontologist.
One look at the title and you might be forgiven for quoting John Cleese. But rather than asking what the Romans can do for us, this book asks what we can do for the Romans. Walter Scheidel, who is a professor of humanities as well as classics and history, and a fellow in human biology, brings together a diverse cast of scientists. Their aim? To discuss what relatively young bioscientific disciplines can add to our picture of life in Ancient Rome as revealed so far by the more mature disciplines of history and archaeology. Which disciplines might these be? Prepare yourself for several mouthfuls as this book covers palaeoclimatology, archaeobotany, zooarchaeology, palaeopathology, population genetics, and the study of ancient DNA.
From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
One fond memory I have of studying biology at Leiden University in the Netherlands was a behind-the-scenes tour for first-year students at the then brand new location of Naturalis Biodiversity Center. This included a tour of the main tower housing the scientific collection normally off-limits to the general public. This is the domain of the museum curator, but their work involves much more than spending time amidst storage cabinets. To get a good idea just how diverse this job is, look no further than this lively and beautifully presented memoir. Here, Lance Grande tells of his career of more than thirty years as a curator at the Field Museum in Chicago.
Animal anatomy has fascinated artists and scientists for millennia, resulting in a treasure trove of striking images. Veterinary anatomist David Bainbridge here takes on the brave task of curating a birds-eye-view of anatomical artwork that simultaneously delights, educates, and (for some perhaps) horrifies.
When you think of an animal, you will most likely think of a vertebrate. Since we are animals with a backbone ourselves, it is not strange that that which is closest to us comes to mind first. But when and how did vertebrates evolve? To answer that question, Nature editor Henry Gee takes a good hard look at invertebrates, convincing the reader that they are not all equal. More than 20 years ago, Gee wrote Before the Backbone: Views on the Origin of the Vertebrates, which took a look at historical explanations for the origins of vertebrates. Which group of invertebrates is closest to us remains a topic of active research and Across the Bridge brings readers up to date with our current thinking.
When I think of turn-of-the-20th-century palaeontology, names such as Othniel Charles Marsh and Edward Drinker Cope are the first to come to mind. Their infamous rivalry, known as the Bone Wars, relied heavily on field collectors who did the back-breaking labour of prospecting and quarrying for fossils. Most of these bone hunters are barely remembered, and John Bell Hatcher might very well have remained thus. This meticulous biography by American palaeontologist Lowell Dingus saves Hatcher from obscurity and documents both his hugely successful work as a bone hunter, as well as his later stellar but tragically short-lived career as a curator.
When it comes to Ice Age fame, sabertooth cats are right up there with mammoths. And within the sabertooth cats, the best-known group is the genus Smilodon. Even if you have not heard that name, you will very likely have seen it depicted. Rather than a pop-science book, this edited collection brings together the who-is-who of sabertooth palaeontology to provide a thorough and technical overview of the current state of the field. And if I did not know any better, I would say that the research community has developed an almost unhealthy obsession with this cat’s large canine teeth.
Given that dinosaurs are no longer around, everything you think you know about what they look like comes from illustrations, models, movies, and merchandise. But how much of this is actually accurate, and how much of it is rather geared towards appealing to our sensibilities? Mark Witton is a man with a mission: to elevate the genre of palaeoartistry to one depicting scientifically accurate renditions, based on informed speculation and careful study of fossils and anatomy. Rather than a book that shows you how to draw a dinosaur, The Palaeoartist’s Handbook is a fantastically useful primer for both aficionados and budding artists into what actually can and should go into making good palaeoart.