Origins asks one question: how did the Earth make us? More accurately, like a six-year-old whose curiosity cannot be sated, there lies a series of recursive “why” questions at the heart of this book. Astrobiologist and science communicator Lewis Dartnell takes a big history look at human evolution and especially civilization, seeing how far down the explanatory rabbit hole he can go. Time and again, he grounds his answers in geology and geography. You would be forgiven for thinking this sounds like what Jared Diamond attempted more than two decades ago, but calling it Diamond-redux would not do it justice.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
Humans. How is it that you can herd 200 of them into an aeroplane without a riot erupting, while they also commit unspeakable atrocities such as torture, genocide, and war? Anthropologist Richard Wrangham calls it the goodness paradox. In this well-reasoned book, he surveys research from a range of disciplines to try and answer why humans show this odd combination of intense calm in normal social interactions and a ready willingness to kill under certain other circumstances.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.
After I read and reviewed Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past, I thought I knew about the changes to the story of human evolution based on studies of DNA. And given that Ancestors in Our Genome was published a few years before that book, I was curious what it could add to what I had been reading so far. As it turns out, a lot. As with my previous review, I should preface this one with the same warning that things are about to get complicated…
Historically, humans have long considered themselves special compared to the natural world around them. It shows, for example, in old depictions where humans are at or near the top of a chain of lifeforms, with only angels and gods above us. Darwin caused a tremendous ruckus by saying we were descended from primates, and evolutionary biology has since had a long history of diminishing our anthropocentric worldview. With The Book of Humans, self-professed science geek Adam Rutherford has written an entertaining exploration of human evolution, showing that, amidst the teeming multitudes of lifeforms surrounding us, we are really not that special. And yet we are.
The story of human evolution is constantly being refined with new findings and there is a glut of accessible books that cover this topic from various angles. Yet, with The Cradle of Humanity, geography professor Mark Maslin manages to provide an interesting and novel take on the subject, showing the reader how a happy combination of larger factors conspired to influence and steer our evolutionary trajectory. It could have ended up so differently…
Who could refuse such an invitation to dinner? In fourteen short chapters, Dinner with Darwin provides a smörgåsbord of topics on the role of food in human evolution and vice versa, many of which have been covered here in recent reviews. This is Jonathan Silvertown’s fourth book with the University of Chicago Press, and based on this, I would love to read his other books as well. Care to join me at the table?
As mentioned previously in my review of Barbara King’s Evolving God, religion is a pervasive phenomenon, and many scholars have put forward explanations how, when, and why it arose. The arguments King put forth did not convince me that religion is anything more than a by-product of our evolution. Apparently, so did Darwin. Though believers often like to point out Darwin was a Christian too, he struggled to reconcile the two and ultimately lost his faith. American psychiatrist E. Fuller Torrey gracefully acknowledges this intellectual heritage and here updates this idea, putting forth the convincing argument that religion arose as a by-product of brain evolution.
With his new book, The Creative Spark, Agustín Fuentes, a primatologist and anthropologist currently at the University of Notre Dame in Indiana, boldly puts forth the idea that what makes humans special is creativity. The ability of humans to switch back and forth between considering what is, and dreaming of what might be, and to then put these thoughts into actions (often collaboratively), has brought us a very long way from our primate origins to the tool-wielding, world-shaping force of nature of today. Along the way, Fuentes wants to do away with some of the dominant narratives regarding human evolution today, or rather, he thinks most of them oversimplify things and lead to distortions in our thinking. Instead, he presents a new synthesis that places creativity front and centre stage as being the most important mechanism that helped us overcome challenges.