From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
If you are interested in dinosaurs, the last two years have seen a slew of great books published, and there is more in the pipeline. The latest I am reviewing here is The Dinosaurs Rediscovered from the well-known British Professor of Vertebrate Palaeontology Michael J. Benton. With a huge number of possible topics you could write about, and an already saturated book market, Benton has set himself a very specific aim: to show how the science of palaeobiology has moved from a descriptive, speculative scientific discipline, to a hard, testable, rigorous one. In other words, given that palaeontologists nowadays regularly make some pretty amazing and precise claims about creatures long extinct, how, exactly, do they know that?
Not so long ago, the idea that giant reptiles once roamed the earth was novel, unbelievable to some, but their reign represents only one part of deep time. Go back further in time, to the Carboniferous (358.9 to 298.9 million years ago), and you will find a world of giants as bizarre and otherworldly as the dinosaurs must have once seemed to us. A world where clubmoss trees grew up to 50 metres tall, with scorpions as large as dogs and flying insects the size of seagulls. With Carboniferous Giants and Mass Extinction, palaeobiologist George McGhee, Jr. presents a scholarly but fascinating overview of the rise and fall of this lost world, and why it still matters to us.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.
One fond memory I have of studying biology at Leiden University in the Netherlands was a behind-the-scenes tour for first-year students at the then brand new location of Naturalis Biodiversity Center. This included a tour of the main tower housing the scientific collection normally off-limits to the general public. This is the domain of the museum curator, but their work involves much more than spending time amidst storage cabinets. To get a good idea just how diverse this job is, look no further than this lively and beautifully presented memoir. Here, Lance Grande tells of his career of more than thirty years as a curator at the Field Museum in Chicago.
As one of several intellectuals who wrote about evolution before Darwin, time has not been kind to the French naturalist Jean-Baptiste Lamarck (1744-1829). Reviled during his lifetime by the influential Cuvier, after his death he became best remembered, and ultimately ridiculed, for the idea that characters acquired during an organism’s lifetime are passed on to its offspring. With the rise of the modern field of epigenetics, some of his ideas are making a comeback, albeit modified and adapted for the 21st Century. Palaeontologist and astrobiologist Peter Ward would even like to go so far as to restore some honour to his name and consider epigenetics a neo-Lamarckian process.
After I read and reviewed Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past, I thought I knew about the changes to the story of human evolution based on studies of DNA. And given that Ancestors in Our Genome was published a few years before that book, I was curious what it could add to what I had been reading so far. As it turns out, a lot. As with my previous review, I should preface this one with the same warning that things are about to get complicated…
Animal anatomy has fascinated artists and scientists for millennia, resulting in a treasure trove of striking images. Veterinary anatomist David Bainbridge here takes on the brave task of curating a bird’s-eye-view of anatomical artwork that simultaneously delights, educates, and (for some perhaps) horrifies.
When you think of an animal, you will most likely think of a vertebrate. Since we are animals with a backbone ourselves, it is not strange that that which is closest to us comes to mind first. But when and how did vertebrates evolve? To answer that question, Nature editor Henry Gee takes a good hard look at invertebrates, convincing the reader that they are not all equal. More than 20 years ago, Gee wrote Before the Backbone: Views on the Origin of the Vertebrates, which took a look at historical explanations for the origins of vertebrates. Which group of invertebrates is closest to us remains a topic of active research and Across the Bridge brings readers up to date with our current thinking.