When I think of turn-of-the-20th-century palaeontology, names such as Othniel Charles Marsh and Edward Drinker Cope are the first to come to mind. Their infamous rivalry, known as the Bone Wars, relied heavily on field collectors who did the back-breaking labour of prospecting and quarrying for fossils. Most of these bone hunters are barely remembered, and John Bell Hatcher might very well have remained thus. This meticulous biography by American palaeontologist Lowell Dingus saves Hatcher from obscurity and documents both his hugely successful work as a bone hunter, as well as his later stellar but tragically short-lived career as a curator.
Given that dinosaurs are no longer around, everything you think you know about what they look like comes from illustrations, models, movies, and merchandise. But how much of this is actually accurate, and how much of it is rather geared towards appealing to our sensibilities? Mark Witton is a man with a mission: to elevate the genre of palaeoartistry to one depicting scientifically accurate renditions, based on informed speculation and careful study of fossils and anatomy. Rather than a book that shows you how to draw a dinosaur, The Palaeoartist’s Handbook is a fantastically useful primer for both aficionados and budding artists into what actually can and should go into making good palaeoart.
I am going to start this review on a tangent. The liner notes of the 1983 album Zeichnungen Des Patienten O.T. of the German industrial band Einstürzende Neubauten contained the slogan “Destruction is not negative, you must destroy to build”. I don’t expect that Ugo Bardi shares my taste in music, but, judging from this book, I’m sure that if we were to sit him down with the band members over a pint, they would have plenty to talk about. Because, according to Bardi, collapse is a feature, not a bug.
Every academic discipline has a few, the contrarian naysayers who steadfastly believe their idea is true, even it flies in the face of natural laws and mountains of evidence to the contrary. Physicists have to contend with inventors of perpetual motion machines, astronomers and geographers have to put up with the growing legion of flat-earthers, and palaeontologists are now faced with this. Ladies and gentlemen, allow me to introduce Brian J. Ford and his amazing aquatic dinosaurs.
Fire is a force of nature that both fascinates and frightens. Large wildfires around the world seem to be on the rise and are a cause of concern due to the risk to lives and property. But fire also is an essential part of the workings of our planet that pre-dates humans by a long time. How long? For the last 40 years, geologist and palaeobotanist Andrew C. Scott has researched plant remains in the fossil record that have been preserved by fire in the form of fossil charcoal. In Burning Planet, he takes you on a 400-million-year deep-history tour of fire and how it has shaped our planet.
Dinosaurs. You could fill a library with the books written about them. Why write another one? Because the field is moving fast: new fossils are constantly being found, new species are being described, and new techniques allow us to ask completely new questions. Being a young career-palaeontologist at the top of your field is another good reason. And Steve Brusatte does not lack ambition. Rather than singling out any one topic, The Rise and Fall of the Dinosaurs gives you the whole epic story, from the early beginnings right up to the abrupt end. Given the brief Brusatte has set himself he obviously doesn’t cover everything exhaustively, but he succeeds admirably in giving you a very relevant overview of where we are now.
Try as we might, science is very much the work of human beings with all their foibles. As such, scientific advances aren’t always straightforward and can run into opposition within scientific circles when new ideas run counter to currently established ones. In Four Revolutions in the Earth Sciences, American geologist James Lawrence Powell demonstrates this by taking the reader through the history of four ideas in the earth sciences that initially weren’t accepted. This was a book I very much wanted to read.
An underground lair… what child didn’t daydream about it? As a child, I spent several summer holidays with friends constructing one. Granted, we didn’t really burrow, we dug a pit and put a roof back over it. Even so, if I am to believe Anthony J. Martin, I am but one in a long line of burrowing animals. With The Evolution Underground, Martin paints a surprising picture of the underrated role that burrowing has played throughout evolutionary history.
In 2012, Titan Books published Dinosaur Art: The World’s Greatest Paleoart, showcasing the artwork of 10 famous palaeoartists. That book is still on my wishlist. Five years later they have followed this up with Dinosaur Art 2. The title may not be terribly imaginative, but, by Jove, the artwork is! The child in me got all giddy at the chance to review this book.
The Life of the Past series of Indiana University Press has got to be one of my favourite book series on palaeontology. Coming to think of it, it is probably also the only book series written for a wide audience on palaeontology that I can think of (cue the comments that will prove me wrong…). Jane P. Davidson has previously written A History of Paleontology Illustration in this series (Indiana UP, I like how you harked back to the cover design of that book with this book). With the current book, she takes a look at the financial supporters of this discipline, and how their support has shaped the science. Sounds like a fairly esoteric topic, yet my interest was piqued.