Judging by the title of this book, you might expect it to talk of 25 remarkable kinds of rocks and minerals. But in the preface, geologist and palaeontologist Donald R. Prothero makes clear that his book looks as much at famous outcrops and geological phenomena. Bringing together 25 readable and short chapters, he gives a wide-ranging tour through the history of geology, celebrating the many researchers who contributed to this discipline.
The idea of an asteroid or comet impacting with planet Earth and causing a catastrophe for mankind has long been given a cold shoulder in scientific circles. But with the notion that the dinosaurs met their fate at the hand of a rather large space rock it does not seem so outlandish anymore. NASA has started monitoring near-earth objects, but is there really something we could do if one was heading our way? Astrophysicist and science writer Andrew May provides a delightful little primer on these questions with Cosmic Impact, injecting this oft-hyped topic with a healthy dose of realism.
From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
If you are interested in dinosaurs, the last two years have seen a slew of great books published, and there is more in the pipeline. The latest I am reviewing here is The Dinosaurs Rediscovered from the well-known British Professor of Vertebrate Palaeontology Michael J. Benton. With a huge number of possible topics you could write about, and an already saturated book market, Benton has set himself a very specific aim: to show how the science of palaeobiology has moved from a descriptive, speculative scientific discipline, to a hard, testable, rigorous one. In other words, given that palaeontologists nowadays regularly make some pretty amazing and precise claims about creatures long extinct, how, exactly, do they know that?
Not so long ago, the idea that giant reptiles once roamed the earth was novel, unbelievable to some, but their reign represents only one part of deep time. Go back further in time, to the Carboniferous (358.9 to 298.9 million years ago), and you will find a world of giants as bizarre and otherworldly as the dinosaurs must have once seemed to us. A world where clubmoss trees grew up to 50 metres tall, with scorpions as large as dogs and flying insects the size of seagulls. With Carboniferous Giants and Mass Extinction, palaeobiologist George McGhee, Jr. presents a scholarly but fascinating overview of the rise and fall of this lost world, and why it still matters to us.
When I think of turn-of-the-20th-century palaeontology, names such as Othniel Charles Marsh and Edward Drinker Cope are the first to come to mind. Their infamous rivalry, known as the Bone Wars, relied heavily on field collectors who did the back-breaking labour of prospecting and quarrying for fossils. Most of these bone hunters are barely remembered, and John Bell Hatcher might very well have remained thus. This meticulous biography by American palaeontologist Lowell Dingus saves Hatcher from obscurity and documents both his hugely successful work as a bone hunter, as well as his later stellar but tragically short-lived career as a curator.
Given that dinosaurs are no longer around, everything you think you know about what they look like comes from illustrations, models, movies, and merchandise. But how much of this is actually accurate, and how much of it is rather geared towards appealing to our sensibilities? Mark Witton is a man with a mission: to elevate the genre of palaeoartistry to one depicting scientifically accurate renditions, based on informed speculation and careful study of fossils and anatomy. Rather than a book that shows you how to draw a dinosaur, The Palaeoartist’s Handbook is a fantastically useful primer for both aficionados and budding artists into what actually can and should go into making good palaeoart.
I am going to start this review on a tangent. The liner notes of the 1983 album Zeichnungen Des Patienten O.T. of the German industrial band Einstürzende Neubauten contained the slogan “Destruction is not negative, you must destroy to build”. I don’t expect that Ugo Bardi shares my taste in music, but, judging from this book, I’m sure that if we were to sit him down with the band members over a pint, they would have plenty to talk about. Because, according to Bardi, collapse is a feature, not a bug.
Every academic discipline has a few, the contrarian naysayers who steadfastly believe their idea is true, even it flies in the face of natural laws and mountains of evidence to the contrary. Physicists have to contend with inventors of perpetual motion machines, astronomers and geographers have to put up with the growing legion of flat-earthers, and palaeontologists are now faced with this. Ladies and gentlemen, allow me to introduce Brian J. Ford and his amazing aquatic dinosaurs.
Fire is a force of nature that both fascinates and frightens. Large wildfires around the world seem to be on the rise and are a cause of concern due to the risk to lives and property. But fire also is an essential part of the workings of our planet that pre-dates humans by a long time. How long? For the last 40 years, geologist and palaeobotanist Andrew C. Scott has researched plant remains in the fossil record that have been preserved by fire in the form of fossil charcoal. In Burning Planet, he takes you on a 400-million-year deep-history tour of fire and how it has shaped our planet.