Underground spaces exert a strong pull on the imagination of most people, although for some this morphs into a fascination bordering on the obsessive. American author Will Hunt is one such person, part of a worldwide community of urban explorers who infiltrate into “the city’s obscure layers”. Though this encompasses more than underground spaces, they are a big part of it, and this book is Hunt’s story of how he fell in love with them. It is one of two big books published only five months apart on the subterranean realm, and I previously reviewed Robert Macfarlane’s Underland: A Deep Time Journey. Here I will turn my attention to Underground.
From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
Humans. How is it that you can herd 200 of them into an aeroplane without a riot erupting, while they also commit unspeakable atrocities such as torture, genocide, and war? Anthropologist Richard Wrangham calls it the goodness paradox. In this well-reasoned book, he surveys research from a range of disciplines to try and answer why humans show this odd combination of intense calm in normal social interactions and a ready willingness to kill under certain other circumstances.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.
When a history book leaves you reeling, you know that it has done its job properly. Climate Change and the Health of Nations is a grand synthesis of environmental history, charting the fate of civilizations and the links between climatic changes and the health of people. It is also a book that almost wasn’t.
After I read and reviewed Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past, I thought I knew about the changes to the story of human evolution based on studies of DNA. And given that Ancestors in Our Genome was published a few years before that book, I was curious what it could add to what I had been reading so far. As it turns out, a lot. As with my previous review, I should preface this one with the same warning that things are about to get complicated…
Mammoths and sabertooth cats are but two icons of an assemblage of large animals, or megafauna, that disappeared between roughly 50,000 to 12,000 years ago. As with all mass extinctions, several explanations have been put forward, but one man and his idea take centre stage in these discussions: Paul S. Martin’s overkill hypothesis. In End of the Megafauna, palaeomammalogist Ross D.E. MacPhee carefully scrutinises this idea, weighs up the arguments for and against, and explains its enduring allure. To quote Huxley, is this another example of “the slaying of a beautiful hypothesis by an ugly fact”?
When it comes to big volcanic eruptions, names such as Vesuvius, Mount Saint Helens, and Krakatau will ring a bell. But all of these are dwarfed by a far larger eruption that few outside of the science community will have heard of. Noted geologist, palaeontologist and author Donald R. Prothero here tells the story of the eruption of Mount Toba in what is nowadays Sumatra, Indonesia, some 74,000 years ago. An eruption so gargantuan that it almost wiped out the human race.