What is better than archaeology? How about space archaeology. More properly known as remote sensing by satellite, the use of satellite imagery has set the field or archaeology alight. And professor of anthropology Sarah Parcak is one of its most enthusiastic torch-bearers. In a book that overflows with wonder, honesty, and hope, she takes the reader on a grand tour of remote sensing, showing how it is transforming this discipline.
Over something as mundane as the tone of one’s skin humans have been inflicting intense grief and misery upon each other for centuries. And when biology and anthropology arose as scientific disciplines, they were brought into the fold to justify subjugation, exploitation, and slavery. With Superior: The Return of Race Science, journalist Angela Saini has written a combative and readable critique of race science that seems to be rearing its ugly head again. But in her fervour, does she take it too far to the other extreme?
When I picked up The Tales Teeth Tell, the first thing I thought was: “Another book on fossil teeth?” After reviewing Ungar’s Evolution’s Bite: A Story of Teeth, Diet, and Human Origins in 2017 I was worried this might be more of the same. Was I ever wrong! Professor in human evolutionary biology Tanya M. Smith here shows there is a lot more to say about human teeth and their evolution.
Underground spaces exert a strong pull on the imagination of most people, although for some this morphs into a fascination bordering on the obsessive. American author Will Hunt is one such person, part of a worldwide community of urban explorers who infiltrate into “the city’s obscure layers”. Though this encompasses more than underground spaces, they are a big part of it, and this book is Hunt’s story of how he fell in love with them. It is one of two big books published only five months apart on the subterranean realm, and I previously reviewed Robert Macfarlane’s Underland: A Deep Time Journey. Here I will turn my attention to Underground.
“Why, of all the species that have ever existed, have only us humans reached this unparalleled level of social organisation?” Sounds familiar? I indeed opened my review of E.O. Wilson’s recent book Genesis: On the Deep Origin of Societies with almost these exact words. Where that book (quite literally) fell a bit short of the intended mark, biologist Mark W. Moffett here delivers a sprawling big history book that considers almost the same question. Perhaps this should not come as a surprise, for Wilson has been Moffett’s mentor.
From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
Primaeval, pristine, playground of Indiana Jones, home to ancient ruins and primitive tribes – nothings says wilderness more than tropical rainforests. They have had a firm grip on our collective imagination for centuries as the antithesis of civilization. But after reading archaeologist Patrick Roberts’s Tropical Forests in Prehistory, History, and Modernity, it seems my introduction is a load of lyrical rubbish. Synthesizing an enormous body of scientific literature, this book dispels the Victorian-era explorer-mystique to reveal a picture that is far more fascinating.
Humans. How is it that you can herd 200 of them into an aeroplane without a riot erupting, while they also commit unspeakable atrocities such as torture, genocide, and war? Anthropologist Richard Wrangham calls it the goodness paradox. In this well-reasoned book, he surveys research from a range of disciplines to try and answer why humans show this odd combination of intense calm in normal social interactions and a ready willingness to kill under certain other circumstances.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.
One fond memory I have of studying biology at Leiden University in the Netherlands was a behind-the-scenes tour for first-year students at the then brand new location of Naturalis Biodiversity Center. This included a tour of the main tower housing the scientific collection normally off-limits to the general public. This is the domain of the museum curator, but their work involves much more than spending time amidst storage cabinets. To get a good idea just how diverse this job is, look no further than this lively and beautifully presented memoir. Here, Lance Grande tells of his career of more than thirty years as a curator at the Field Museum in Chicago.