Why are we, from an evolutionary standpoint, the last man standing? This question fascinates archaeologists and anthropologists, and the dominant narrative is one of humans outcompeting other hominin lineages, driving them extinct. In the process, our evolutionary cousins, such as Neanderthals, always get the short end of the stick, being clumsier, dumber, or just generally inferior to us. In a book that is both a popular summary of his work and a critique of current thinking in archaeology, evolutionary biologist Clive Finlayson aims to redress this balance. Neanderthals, he says, were a lot smarter than we give them credit for, and one unexpected line of evidence comes from the birds that lived alongside them.
From Skeletor to the Danse Macabre, from Army of Darkness to ossuaries and holy relics – despite being largely hidden in life, skeletons are some of the most recognizable structures that nature has produced. Science writer Brian Switek has written a sizzling little book with Skeleton Keys* that delves into both the biological and cultural significance of human bones, showing them to be more than just a powerful reminder of death and mortality.
Are science and art strange bedfellows? The answer to this tricky question will hinge on your definition of art. Science and illustration certainly are not. American palaeoartist John Gurche has spent three decades studying ape and human anatomy and making reconstructions of early humans. Amidst all this professional work, he has been quietly building a private portfolio of more artistic images as a creative outlet. After 27 years, this body of work is gathered here in Lost Anatomies. It is an exceptional and beautiful collection of palaeoart that occasionally ventures into slightly psychedelic territory, without ever losing sight of the underlying science.
When I picked up this book and saw the subtitle, I couldn’t help but think: “What?? Sloths, maligned?” Just look at them! How is that face not adorable? Where the sloth’s timeline is concerned, I have been swept up in what is only a recent widespread appreciation of sloths. Clearly, this wasn’t always the case. Why else name an animal after a cardinal sin…
Animal anatomy has fascinated artists and scientists for millennia, resulting in a treasure trove of striking images. Veterinary anatomist David Bainbridge here takes on the brave task of curating a birds-eye-view of anatomical artwork that simultaneously delights, educates, and (for some perhaps) horrifies.
If there is one thing that infuriates me about the way the human body works, it is the fact that our throat is a passage for both food and air. I am sure that anyone who has gone down in a fit of coughing can attest to this. As Nathan Lents shows in his amusing book Human Errors, that is just the tip of the faulty iceberg.
Six years ago (is it already that long?) Katrina van Grouw blew me away with her gorgeously illustrated book The Unfeathered Bird, which gave a unique insight into bird anatomy. Her new book, Unnatural Selection, again features her unique combination of accessibly written text and lavish illustrations. The book celebrates the 150th anniversary of Charles Darwin’s The Variation of Animals and Plants under Domestication. In this and in On the Origin of Species, Darwin frequently referred to the rapid changes that breeders could bring about in plants and animals to make evolution understandable. And yet, biologists and naturalists don’t generally hold breeders and their breeds in high regard. In that sense, Unnatural Selection also celebrates their work and knowledge.